Showing posts with label entertainment. Show all posts
Showing posts with label entertainment. Show all posts

Tuesday, March 1, 2016

CInapek Romeo and Juliet~~

Also known as............*drumrolls* Lo Mio and Chiu Liet!!! ("#LMnCL")
Like seriously, get your most Cina-ish friend to pronounce Romeo and Juliet, you will get Lo Mio and Chiu Liet instead. XD


Ok, ok, enough joke. This post is meant to be my thoughts on the currently on-going theatre performance at KLPAC(if you don't know where, the most I know how to say is that it is at Sentul). Before that, let me get the itty-gritty, teeny meeny mini details out of the way first:

Thespian :
Alfred Loh, Amanda Ang, Dylan Yeo, Emily Tan, Fahad Iman, Gregory Sze, Ho Su Chuin, Mark Beau De Silva, Stefanie Paulus & Shawn Loong
(Dem names should be enough to pull you to watch the play, if not enough, read on :p)

Date & Time:
25 – 27 Feb, 2 Mar – 5 Mar @ 8.30pm;
28 Feb & 6 Mar @ 3pm
(Hah! Left 5 more shows only! Also, higher chances of getting tickets on the weekday shows, weekend shows tends to be a bit packed)

Language:
Mainly presented in Cantonese, but with a fair deal of Mandarin and English. Surtitles available, so you can read some of it.

(The above were copied from KLPAC):

Now, here onwards would be what I think about the performance of the day (27th Feb) and in fact, even within the same show, different audience would have different opinion. Let's start, shall we? There might or might not be spoilers, for which I humbly apologise in advance.

As we all should know by now, #LMnCL is adapted from Romeo and Juliet and the setting has been changed to Ancient China, but it is a bit hard to pinpoint which dynasty or era it is from because I am not that good in the history of CHINA. But then, it can obviously be seen that western influence has begun to seep into China, so there might be a strong indicator there. The overall geographical setting of the story is in the Forbidden City(imagine emperor, harems, royal families, dignities yadda yadda, you should be getting the idea by now) but what I find the most commendable is the use of space and the setting up of props because it is being shown in Pentas 2 where the audiences are surrounding the entire stage. Like, a praying altar is set up where it can be seen by everyone or, in between seats, a bed is placed (are you curious yet? ;D ).

However, the general story line remains the same where a pair of star-crossed lovers tries to overcome their family feud to be together. And something about the ending is open to debate whether is it actually a happy ending or a sad ending. Personally, I find it to be a happy ending but hey, it is up to you once you watched the whole thing.  I would welcome an open debate, if any.

To be honest, I am more of a purist, so I sort of did not expect to have such high level of Chinese elements, but then these elements made the entire performance so much more fun. Especially when certain words were mentioned i.e. ham ka chan. And the re-occurence on the complain of the mantou(a plain white bun). There are funnier ones but then, it needs to be experienced in the show itself. Although, I did set a high expectation to have a non-stop laughing session because it is co-written by Cheah Uihua and Freddy Tan(creator of Corporal Punishment) but thinking back, it was unreasonable of me la.. for god's sake, it is based on Romeo and Juliet yo! Which is Shakespeare's most tragedic tragedy of all times!

Talking about Chinese elements, it does take some time getting used to the Cantonese pronunciation by the cast at some point like when the Westernised Chinese aka the Chiu family (representing the House of Capulet) speak Cantonese, they had to make it sound so English but speaking Cantonese, which is very praise-worthy because I honestly cannot do that. On the other hand though, the Lo family (representing the House of Montague) had some really good Cantonese speaker and some of them need to brush up on their Cantonese XD

In terms of acting, I am not going to comment because I don't have the understanding of the technicalities but one thing for sure that I will say is that the potrayal of characters were damn entertaining and the bit I like the best is the one playing dual-role(a guy playing a guy role and a female role) although, most of my friends didn't notice it. So, you may or may not be able to notice this person playing dual roles.

And there you have it. It is definitely not a complete dissection of #LMnCL but it is written to the best of my ability and observation. A final note though, I do hope that more people will go watch in order to support the arts!

Friday, July 19, 2013

30 plays in 60 minutes!

That's what you get in Never Eat Too Much Before Rapture which I watched on 6th July 2013, in KLPAC. Aside from the wacky sounding name, it is also chaotic, random and of course, AWESOME!

Never Eat Too Much Before Rapture(NETMBR, pronounced Net-tem-ber) is a very uniquely conceptualised theatre performance where the audience(we/us) decides the order of the plays being performed. Hence, each session is really different as the order will differ, depending on the number being shouted out by us. The really cheeky bit is the part where the onus falls on us if all 30 plays did not get performed within the 60 minutes time frame. Besides that, all 30 plays were written, produced and directed by all 9 cast members(credits roll at the bottom, as usual XD)

Now that leaves an average of 2 minutes per play, but seriously, is that enough? Oh, did I mention that 60 minutes include setting up time for each set? Yeap, so within the 60 minutes, you can imagine how many things were going on! We were shouting, actors/actress were jumping up and down getting the numbers(I was laughing hysterically during this part), scrambling for props and getting into place! Now, you get what I mean when I say chaotic and random?

Next on, about the plays themselves, 30 of them, some poignant, some comedic, some physical, some literal, all truthful and enjoyable! Pepper in lots of stage play techniques and it got me thinking that if I was given the chance or opportunity to rename the whole thing, I would call them Rojak! (Ops, going off-tangent here) Back to the plays, there were also some bit of improvisation going on as there was this particular short play "The Show Changer (Everyone's going to hate you for picking this)" that 'kills' a cast member. And his body is laid there, while the shows go on! (Remember, we are on time constrains here) What happens if there is a solo performance by him which had not been played yet? Well, the ensemble basically resurrected him using whatever they can link from the previous one.

With all that being said, actually I think the best part was the last performance, and it happened by coincidence, true and pure coincidence! By some strange power, "The Importance of Family Albums" was the finale of the session and is one of the pieces that actually struck a chord in me(side track a bit, I am actually fairly camera-shy during my formative years, and still am, I suppose, hence I don't have much photos of me from younger days). Anyway, the best part was, after the whole monologue was performed, the whole house was called for a group photo session! It was a really random one! And we still had a little bit over a minute to spare! (I guess can consider as achievement unlocked? XD)

Omg! Why did I write so much??? Meh! Basically what I want to say is, if NETMBR ever gets performed again, which it definitely should, please go watch and support them! Oh yeah, credits roll (in order of the leaflet provided) :
1. Alexis Wong
2. Jeremy Ooi
3. Grace Ng
4. Dinesh Kumar
5. Jen Yee
6. Ui Hua
7. Ho Lee Ching
8. Freddy Tan
9. Amanda Ang

PS. Tickets price can be discounted up to a maximum of RM 6, depending on the mini-games you play beforehand :P